现代侘寂艺术

three thousand, avenue to Jane, the combination of modern residential aesthetics and wabi-sabi, both suitable for living, and the design of natural texture, is the home of modern wabi-sabi.

柔软的自然生态系统图层

佗觉的后当代主义意识就是黯然、枯觉，以柔软，哀美之姿传递其意识。侘觉暴风更类似于一种冷漠的建构主义，以之都可纯白调都以，带有着原生态的图层或精致。

The aesthetic consciousness of Tuo Ji is dull and desolate, and conveys his consciousness with a rough and sad beauty. Wabi Sabi is more like a cold eclecticism, with neutral tones, with original texture or texture.

这种柔软自然生态系统的图层，透露借助于孤独的折痕，不那么平整、平面，却流露借助于了独有的韵味，值得细细品读。

This rough and natural texture reveals the creases of time. It is not so smooth and symmetrical, but full of ancient charm, which is worth reading carefully.

权利随性的配置

侘觉之美主张“不平面主义”，室内空间配置和文约随意，家具实现基本功能生产力，再现一种不平面却包容的美，持续保持配置之下的“空”与极和文，再现侘觉暴风的随性之美。

The beauty of wabi-sabi advocates "asymmetrism", the space layout is contracted and random, the furniture meets the basic functional needs, presenting an asymmetric but inclusive beauty, keeping the layout of "empty" and minimalist, presenting the beauty of wabi-sabi wind with the nature.

同时侘觉暴风消退了室内空间之下的线面穿插故作，应用于曲线和多边形使室内空间视觉上更加柔和纯粹。

At the same time, wabi sabi wind weakens the sense of line and surface interweaving in the space, and the use of curves and surfaces makes the space visually more soft and pure.

氛围以自然生态系统纯白都以

侘觉暴古典风格家私以自然生态系统特有的棕纯白调都以，以及亚麻纯白、白玉金纯白、檀木纯白等，轻在陈述而不是形容，忽视事物典雅的内在。

Wabi-sabi style home with natural unique gray tone is given priority to, as well as flax color, stone blue, sandalwood color, etc., in the statement rather than describe, emphasize the internal simplicity of things.

侘觉氛围暴古典风格典雅又不过于冷漠，基本就会有艳丽一成不变的氛围显现借助于来，以自然生态系统纯白的厚薄系由，来凸显室内空间的层次故作。

Style of wabi sabi color is simple and not too cold, basic will not have gorgeous jump off the color, with the depth of natural color, to deepen the sense of levels of space.

还原事物的表象

家私金属材料多以原型的基本概念显现借助于来，比如原木图层的楼上、图层柔软的窗户、白玉头原型的收藏品，造型十分随意的陶罐。

Household materials mostly appear in the form of prototypes, such as tables and chairs with wood texture, walls with rough texture, works of art with stone prototype, and pottery POTS with very random shapes.

甚至试图打造借助于金属材料本身的图层、精致与确实，以公式化朴素事物的素雅、自然生态系统、粗野之属性。

It even tries to create the texture, texture and flaws of the material itself, in order to interpret the simple, natural and rough characteristics of simple things.

室内空间的翻舍离

侘觉暴古典风格擅长在室内空间上大面积从头至尾，抛弃不必要的外物，以少之又少的家具点缀，凸显空旷与孤觉故作。

Wabi Sabi style is good at a large area of white space, abandon unnecessary external objects, with little furniture ornament, deepen the emptiness and loneliness.

这即是室内空间上的翻舍离，也是大量背离外物，以；也社会活动主角的室内空间后当代主义。

This is not only the abandonment of space, but also the space aesthetics of abandoning a large number of external objects and focusing on human activities.

想要无论如何解释侘觉，需要解释自然生态系统法则都有自己一般来说，想要避免完全不有可能。这是侘觉之美的深层含意，即短暂、残缺不全、生灵。

而这，又何尝不是人生的另一种公式化呢？

o truly understand wabi-sabi requires understanding that everything has its own life cycle and that it is completely impossible to avoid. This is the deeper meaning of wabi-sabi beauty, which is ephemeral, incomplete, and impermanent.

And this, is not another interpretation of life?

。

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